I'd Know You Anywhere, Laura Lippman

One of my favorite popcorn authors is Laura Lippman.  Her thrillers are smart and action-packed and always have an interesting psychological component.  But I'd Know You Anywhere falls short of the emotional impact that I have grown to expect from her books.

Eliza Bennet is a happily married mother of two.  After living in London for about a decade, her family has moved back to the US, to a quiet suburb of Baltimore.  But her idyllic family life in the present has a horrific past at its core.  Twenty years ago, when she was only 15 and called herself Elizabeth, Eliza was kidnapped and held for six weeks by a serial killer named Walter Bowman.  Known by some as the "one who survived", and by others as a possible accomplice to Bowman's killing spree, Eliza has worked hard to put her past behind her, changing her name, moving away from her family, and keeping herself out of the public eye.  Only her parents, sister, and husband know her story.  At least until Bowman, on death row and scheduled for execution in a few short weeks, reaches out to her, asking for contact.  Eliza, seeing a chance to get him to confess to the other murders he committed and give some families long-awaited comfort and justice, agrees to talk with him.  What she doesn't know is that he plans to try and use her to get his sentence commuted.

The story is told in chapters that alternate between the past and present, with certain sections of the book being told from the point of view of Walter Bowman.  The chapters that detail Eliza's imprisonment were surprisingly non-threatening.  Bowman made her travel with him, and even kidnapped another girl while she was with him, but I never got that feeling in my gut that I get when I read a really good thriller.  The chapters that detail the present day are even less emotionally satisfying.  I understood her feelings of guilt, and how she could question her own perceptions of something that happened to her when she was young and traumatized, but at times it felt like so much navel-gazing.  And the ending was way anti-climactic.  Let's just say that all the angst boils down to a rear-view mirror.  There was no real sense of menace, and given that one of the most violent character is locked up on death row for the entire novel, there is no real action either.  I'll not give up on Lippman, but this was not her best.

Whispers of the Dead, In Which David Hunt Can't Catch a Break

Simon Beckett is one of the better mystery/thriller writer's I've discovered in a while.  His main character, David Hunt, is a forensic anthropologist from the UK, complete with tragic past and an obsessive nature focused on finding justice for the dead.  Beckett's books are formulaic thrillers on the surface, but with a sense of malevolence and creepiness that does not always come across in other works in this genre.

Whispers of the Dead finds David taking a sabbatical from his work in the UK.  He is studying in the US, at a body farm in Tennessee just known as "the facility".  There, bodies are exposed to the elements in various ways so that pathologists and forensic anthropologists can study the effects of varying environments in the decomposition process.  And that is not even the grossest thing in this book!  David is mostly recovered physically from being attacked by a serial killer, but the fact that she escaped and is possibly hunting him down to finish the job makes it harder to heal emotionally.  He is hoping that getting away from England and his failed relationship with his girlfriend will give him some perspective, and help him figure out how to move forward.  He has barely arrived when he is drawn into a series of bizarre murders at the request of his old friend and mentor.  There is a killer at work in the Smoky Mountains, leaving bodies or parts of bodies in elaborate tableaux designed to draw the forensic people deeper and deeper into his crimes.  Soon David and his friend become targets themselves.  Can this really be happening to him AGAIN? (that would be the "David Hunt can't catch a break" part)

Despite the fact that it seems completely unlikely in real life that the same forensic anthropologist could be targeted by not one but two serial killers in succession, the fact is that the story is so good that I didn't even care that it wasn't that feasible.  The story is mostly told in the first-person from David's point of view, but at the end of each chapter is a vignette written in a slightly awkward second-person that reveals the mind of the killer.  There are plenty of hints dropped along the way, but even so I was still surprised by the twist at the end.  And Beckett is not afraid to kill off important major or minor characters, which adds a sense of unpredictability to the whole things that is refreshing in a formula genre book.  Whispers of the Dead is an excellent popcorn book-as long as you aren't too squeamish when you eat...er...read!

A Wicked Snow

America is fairly obsessed with the serial killer, both in the true crime sense and the fictional sense.  There are many infamous killers out there who have captured our imagination, but they are mostly men.  Female serial killers are a rare breed.  Of the ten most prolific female serial killers, only three were active in the 20th century.  Compare that to just the number of male serial killers that you can probably name off the top of your head and you can understand why female serial killers get the kind of attention they do.

Even though the group is small, Gregg Olsen knows a lot about them.  The best selling author of non-fiction books on female killers turned his attention to creating a fictional one in his first novel, A Wicked Snow.   Hannah Griffin-wife, mother, and CSI- has spent most of her life trying to forget her past, and the terrible night when it was discovered that her mother killed at least 17 men and buried them on her Christmas tree farm.  After that night, Claire Logan became synonymous with evil and greed and filicide (killing one's own children-you're welcome!).  Her mother disappeared that night, and many people believed she was dead.  But Hannah felt sure that her mother was alive, and when a package turns up at her office containing evidence from her mother's case, she begins a search that leads her to some surprising discoveries.

This is a masterful thriller.  Olsen does a really good job pacing the novel so that you are totally drawn into the mystery without being frustrated by the things you still don't know.  Hannah herself is a character that is easy to relate to, as are the other major characters.  Her motives and actions seem perfectly reasonable given the circumstances, and there is an emotional impact from the fact that she was directly related to the events behind the current story.  As popcorn books go, this one is very satisfying!

The Old Broads Network

A couple of weeks ago  took part in the blog tour for the AudioGo audiobook for Karin Slaughter's new novel, Criminal.  At the time of the tour, I was only about a third of the way through the book, and loving it. Now that I am finished, I can honestly say that Slaughter has done something that is well-nigh impossible.  She took a formula serial-killer thriller and turned it into an emotionally powerful, incredibly moving story.

Criminal is the latest installment in the Will Trent series.  I've enjoyed all of Slaughter's recurring characters, but Will is my favorite.  He is an agent with the Georgia Bureau of Investigation, but with a past that was more likely to produce a criminal than a cop.  Will grew up in a children's home-too old and awkward for anyone to want to adopt him, he was eventually kicked out of care at 18, with nothing but his brains and the clothes on his back.  But through hard work and a few lucky breaks, Will overcame his background and his learning disabilities to graduate from college and join the GBI.

In Criminal, Will and his partner Faith are investigating the murder of a university student.  Her case sets off some kind of alarm bells for his boss, Amanda Wagner.  Thirty years previous, she and Faith's mother Evelyn caught and sent to jail a man with the same M.O.  The story jumps back and forth from present day to 1975, and as the story plays out we see that there is more at stake than just the lives of the kidnapped women.

Sounds like your basic serial killer novel.  But this is a serial killer novel with heart, based entirely on the flashback story of Amanda Wagner and Evelyn Mitchell, and how they are connected to Will Trent.   The flashbacks don't just explain Will's past, but the early days of women in the Atlanta PD, and specifically the case that bonded Amanda and Evelyn and the rest of their old broads.  It made me love and respect the elder females so much more, and the image of all of these women spending their careers looking out for the baby they saved actually made me a little teary.  This story is so much more than just another crime procedural.  If you haven't been following the story, go back to the beginning of the Will Trent series and catch up.  It will be totally worth your time!

Black Out, by Lisa Unger

As I slowly make my way through my collection of un-read thrillers, I've read quite a few books about women being victimized by men.  In fact, I've started to think that I should write a series of books about females victimizing men just to balance the cosmic scales.  Usually, the victims in these books (if they survive) find a way to take back some power from their attackers, which I suppose should be some comfort to the female reader.  But the main character in Lisa Unger's Black Out does a little bit more than just show some spunk in the face of a horrifying past-or does she?

Black Out is the story of Annie Powers-or Ophelia March-who is manipulated by a serial killer into helping him commit murders (or was she?).  Annie Powers, formerly Ophelia March, lives with her husband Gray and daughter Victory in a safe, gated community in Florida.  She has everything she could want-money, a gorgeous house on the beach, a loving husband, a beautiful daughter.  But she is wracked with anxiety.  She is sure that her ex-boyfriend and sociopath, Marlowe Geary, has returned to snatch her from her new life and draw her back into his evil web.  Except, of course, that her husband killed him five years ago. So why is Annie sure that he is hunting her, trying to lure her back into his evil web?

Black Out is a psychological thriller that grabs you by the imagination and doesn't let you go.  Unger uses Annie herself as the narrator, making it impossible to tell what is real and what is imagined.  The reader is forced to live the confusion, fear, and anger just as Annie feels it, while trying to figure out exactly how to keep herself and her family safe.  It is one of those books that makes you question your own perception of events, and trying to make sense of the events is like putting together the pieces of a puzzle-from two different boxes.  Frankly, even after finishing it I'm still not sure which of the events in the book actually happened and which ones she imagined.  But in the end it didn't really matter.  Unger writes the story of a woman desperately trying to gain power over her own life.  Everyone tries to manipulate Annie, even the people who love her most-maybe especially the people who love her most.    Annie's attempts to take back her life make you root for her, even when you're not sure you like her very much.  And even though there are parts of the plot that are pretty implausible, I was caught up enough in the story of Annie and her past that it worked for me.  Escapism at its best!

More Summer Popcorn: The Missing, Chris Mooney

My summer of popcorn books continues with another thriller, The Missing, by Chris Mooney.  The book begins with three friends-Darby, Stacey, and Melanie-high-school age girls, sneaking off into the woods to smoke and drink.  They had barely gotten their party on when they witness what they think is a murder.  They call the police, but when they show up both the man and the body are gone.  Several days later, Darby is at home alone when she hears noises downstairs.  Suddenly, a man with no face is chasing her through her house.  She escapes, but Melanie and Stacey are not so lucky.

Fast forward 15 years, and Darby is now a criminalist in Boston.  A young woman is kidnapped, and Darby is assigned to process the crime scene.  As she and the police investigate, with the help of the same FBI agent who worked Darby's own case, Darby begins to sense that there is some connection between the new case and hers.  But how is that possible, when the perpetrator of her attack was killed by police over a decade before?  As Darby is forced to revisit her own nightmare, she and her team race against time to find the missing girl.


I was completely sucked in by Mooney's writing in this book.  The narrative structure goes back and forth between Darby's perspective and the killer's, a man named Daniel Boyle.  This puts the reader in the position of knowing things that Darby doesn't, leading to more than a few moments when I wished I could somehow communicate with a fictional character and save her some trouble.  Mooney did a pretty good job writing as a psychopath-the chapters from Boyle's perspective were pretty chilling.  I did figure out one major twist, but there was another one that took me completely by surprise.  It would have been more satisfying had the twist actually contributed more to the story, but it didn't take away from it, so at least it was an unoffensive plot point.    All in all a quick, enjoyable read.

True Crime With a Personal Twist

As much as I love mysteries, I've never been a huge fan of true crime books.  I think it has something to do with not wanting to contribute to voyeuristic, tabloid culture.  After all, you can hardly turn on the television without seeing a 20/20, 48 Hours, etc...special dissecting in minute, excruciating detail every thrilling part of the crime.  But sometimes a book comes along that intrigues me enough to pick it up.  A Death in Belmont is one of those books.

A Death in Belmont by Sebastian Junger tells the story of The Boston Strangler, but using the context of a black man named Roy Smith, who was convicted of a murder in the suburb of Bemont, MA.  The murder fit the profile of the Strangler murders, but there was enough circumstantial evidence to convince police that TBGDI-"the black guy did it".  Later, when Albert DeSalvo confessed to the killings, he never confessed to the killing that Smith was convicted of.  What made gave it a personal twist was the fact that during the time of the killings, DeSalvo was working on a construction project for Junger's family, and may in fact have left the Junger home to commit the Belmont murder.  All pf the principle players died before the complete story was revealed, and experts differ on whether the Belmont murder was a miscarriage of justice against a black man by a racist justice system, or whether Smith did in fact commit the crime.

A Death in Belmont is well researched, and Junger doles out the facts and his own speculation in a well-paced account.  He goes back and forth recounting the movements of Smith, DeSalvo, the detectives, and his own family from chapter to chapter.  In the end he makes a pretty good case for his theory of the crime.  And, of course, what makes the whole things that much creepier is the idea that while he was an infant, his mother spent her days caring for him in the company of one of the most prolific serial killers of the 20th century.  Junger's writing is compelling, and even though he goes into pretty exhaustive detail I never felt bogged down by facts or overwhelmed by the amount of information.  If true crime is your thing, this book will probably suit you quite well.

Live to Tell, Lisa Gardner

Lisa Gardner writes psychological thrillers that show some of the darkest places that the human mind can go.  Most of her novels, whether stand alone or part of her D.D. Warren series, explore the complicated relationships we often have with our parents, spouses, or children.  Live to Tell is no exception.  In this fast paced, fairly creepy thriller, D.D. Warren and her team are called in to investigate the apparent murder/suicide of a family of five.  However, there are things about the scene that don't add up, and it soon becomes apparent that what was staged to look like a family annihilation was in fact the cold-blooded murder of a happy couple and their children.  When another family is killed in a similar way, D.D. knows that they are looking for someone truly disturbed, who appears to be reenacting a family annihilation from the past.  Tying all of the victims together is a child psych unit for the most acute cases-children who have psychoses so severe that they are a real danger to themselves and their families.  Danielle Burton, one of the psychiatric nurses, was the lone survivor of a family annihilation herself, and soon D. D. come to believe that she may be the key to solving the whole  case.

A word to the wise-this book is not for the faint of heart.  The description of he troubled children and the things they are capable of was chilling.  As horrific as the crimes themselves were, reading about a little boy who is so cunning and violent that he lies in wait for his mother in order to follow through on his threat to kill her was worse.  But the setting of the locked children's psych ward was fascinating, and the mystery itself had enough twists and turns that there is more than the slightly creepy draw of the psychotic children.   This popcorn comes with a side of crazy, but it is an enjoyable ride nonetheless.

Precious Blood, Jonathan Hayes

Ah, the serial killer.  That sociopathic individual that gives Americans such a delicious thrill.  I'm not sure what it says about us as a people that we are so fascinated with sick, twisted, violent death, but given the number of books, movies, and true crime shows on the subject, we seem to have a never-ending curiosity.

I will admit to this morbid fascination in myself.  I like to think that my interest is as a result of my profound desire to understand the human mind, but I suspect there is a fair amount of of rubbernecker syndrome as well.  It's almost as though we (I) want to be shocked and horrified.  Well, if revulsion and horror is what you are looking for, then you could do worse than to pick up a copy of Jonathan Hayes book, Precious Blood.

The book centers around Dr. Edward Jenner, a former pathologist with the New York City police who had to retire after the daily horror of trying to identify 9-11 victims caused him to have a breakdown.  Now living off his savings, he agrees to take a job as an independent pathologist in the murder of the daughter of a friend-of-a-friend.  The murder scene is obviously staged, the victim nailed upside down on the wall.  Her roommate, Ana, managed to get away, but not before seeing the killer-and him seeing her.  Afraid for her safety, Jenner takes her in until his friend, Ana's uncle, could return.  It soon become apparent that this was not the first time this killer has struck, and they soon have new cases to investigate as well.  Jenner, while not having any real authority in the case, continues to investigate, his investigation gaining more urgency once he begins having feelings for Ana.

As thrillers go, this one was pretty good.  The killer's religious motivation is not exactly original, but it did have a different twist on the theme than most books.  Jenner's character is fairly well-developed, though his relationship with Ana does not really feel entirely authentic.  The final show-down is suspenseful, and the ending satisfying.  While there is nothing earth-shattering about Precious Blood, as popcorn books go it does its job admirably.