ISBN-13: 9780486266848Publisher: Dover Publications, Inc.
Published: 1991
87 pgs
This is a ghost story narrated by the governess when she took the position of looking after two young charges (Miles, aged ten, and Flora, eight) whose parents have passed away. When the governess was first interviewed for this job, she was told that she should never trouble her employer (who is the siblings' uncle and their legal guardian) due to his difficulty (which was never truly explained), nor could she appeal, complain or write about anything and only meet all questions herself. She would receive all moneys from his solicitor, take the whole thing over and let him alone. Though the conditions sound queer, the governess took up the position because the salary offered much exceeded her modest measure.
The governess knew of her predecessor though she does not know everything about her; she is like a mystery and no one wants to talk about her either. Mrs. Grose, the housekeeper, is a respectable woman but she does not offer information much about everything. All these did not discourage the governess and she strive hard to get settle down in the big country estate and getting to know the siblings.
All things seem to be normal in the beginning but slowly, she began to sense an apparition in the house. This is where the story took on a turn of psychological terror when the governess realizes they are ghosts of the previous valet and governess, which she believes they haunt the two children. Aside from keeping the children safe, she is also keen to unravel the mystery of the relationship of the dead valet, her predecessor and the family. When she later learned that the two spirits have appeared to the children in private and suspected they have some sort of evil communication, she is horrified but she could never understand why the children have adamantly refuse to acknowledge the presence of the spirits and why should she even feel threatened by Miles, especially.
Told from the governess' perspective, The Turn of the Screw has all the right elements of a true psychological horror. It has an eerie, creepy atmosphere but what made this classic different from other books of the same genre is that the author did not really articulate what is going on and that the story totally leave you to your own imaginations, and maybe this explain why I did not feel strongly with this story as compared to The Haunting of Hill House since I heard there are some comparison between these two. I think the writing style also plays a part but I have to say both have excellent main characters.
I think the relationship between Miles and the governess is the core of this story and often I find myself thinking about Miles' innocence (and behaviour) and wonder if there is a lot more of him than meets the eye. The dialogues are great and engaging though, and this is another reason why I was sucked into this story though I was perplexed over some passages which I could not fully grasp (oh, especially the ending!). I will have to keep this book back to my pile for a re-read in future.
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